
All Up in the Biz
All Up in the Biz pays tribute to Biz Markie, whose tragically young demise remains fresh among the hip-hop community.
All Up in the Biz pays tribute to Biz Markie, whose tragically young demise remains fresh among the hip-hop community.
On Nothing Bigger Than the Program, Roc Marciano’s engaging production can’t save Jay Worthy’s unconvincing performance.
On his collab with DJ Muggs and Madlib, Meyhem Lauren flexes a decent po-faced style and a capacity to crack a few fly bars.
The Legacy of J Dilla covers oft-trod ground, but there’s a poignancy in watching friends and family memorialize a lionized producer.
On Let’s Start Here, Lil Yachty assembles a dusted symphony that feels more like a wispy breeze than a desert storm.
Thes One’s Farewell, My Friend, a tribute to former People Under the Stairs partner Double K, is unabashedly soft and yearning.
On his first album in three years, Oddisee deepens his skill as an arranger and develops a warm, pleasant sensibility.
A collaboration between Skyzoo and the Other Guys, The Mind of a Saint explores the TV series Snowfall and the character Franklin Saint.
Wayne Garland and Charlie Chucks’ parody of Kurtis Blow’s “The Breaks” is largely notable for Jigsaw Inc.’s monster boogie-funk groove.
The Treacherous Three’s single finds Clifton “Jiggs” Chase’s Jigsaw crew turning the Pointer Sisters’ 70s chestnut into an electro groove.
With Sugar Hill-style raps from soul singer Shelly Richard, this may be the first rap record to emerge from New Orleans.
This single finds Master Don and Frank Heller capitalizing on the first wave of video arcade madness with an impressive vocoder hook.