ShrapKnel & Controller 7, Nobody Planning to Leave

"Nobody Planning to Leave," a collaboration between ShrapKnel and producer Controller 7 unfolds as a kind of fragmented tapestry.

Nobody Planning to Leave is a collaboration between ShrapKnel — Brooklyn rappers Curly Castro and PremRock — and producer Controller 7, who’s best-known for his work with Sole (Bottle of Humans) and Sage Francis (A Healthy Distrust). Controller 7’s frequent beat switches on tracks like “LIVE Element,” where he shifts from a psych-funk groove to a sleepy jazz blues, turns the album into a kind of fragmented tapestry, and a 45-minute scroll where titles like “Deep Space 9 Millie Pulled a Pistol” are more of a cryptic sensibility than a thematic title. PremRock gives one of his better performances, and his droll delivery makes “Human Form” a standout. Curly Castro has a punchy voice that jumps off the aux, but his verses sound like he’s doomscrolling through tweets. Every line he writes references a musician, a pop-culture artifact, or a subterranean icon like Atoms Family. One of the better examples comes on “Illusions of P,” where he charges, “Follow Puffy off a cliff until you finally make it BIG.” Guest appearances include ELUCID, who offers a fine cameo on “Uru Metal,” as well as Open Mike Eagle, Onry Ozzborn, Wrecking Crew colleague Lungs//LoneSword, Breezly Brewin from Juggaknots, and D-Styles. Backwoodz Studioz released Nobody Planning to Leave.

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Brooklyn rapper Michael “MIKE” Bonema is a prolific performer — this is his second 2023 project following Faith Is a Rock, a collaboration with Wiki and The Alchemist highlighted by the standout single “Mayors a Cop.” His tics have grown familiar, from his muddy, baritone flow and viscous diction to self-produced lo-fi loops, making it difficult to differentiate between his sundry projects. Burning Desire has a handful of WTF moments that abruptly shift the usual gears, particularly “African Sex Freak Fantasy,” a number produced by North Carolina musician Gawd that’s larded with distorted bass. Mostly, though, MIKE sticks to a well-established formula. Some of his beats are quite nice and buttery, like when he slows-and-chops Mary J. Blige’s “Real Love” on “Real Love,” and ends “They Don’t Stop in the Rain” with the Notorious B.I.G.’s chorus on “Crush on You.” His raps have a punched-in quality, a volley of bars that usually last around a minute or so, followed by a refrain to tie them together. (He compares his style to “a Sistine” on “Sixteens.”) The technique, so common among rappers in the 2020s, yields some standout lines, like when he raps, “I couldn’t cope with my feelings like Romeo” on “Snake Charm,” which is produced by Laron. Near the final third of Burning Desire, MIKE invites Lila Ramani of Brooklyn band Crumb to sing solo on “Should Be!” The haunting number feels like a palate cleanser and leads to one of the album’s strongest cuts, “What You Say You Are.” As MIKE raps, “I’m Michael Myers with the dreads,” he invokes the best aspects of his persona: A hungry striver full of Brooklyn swagger, trembling from the city’s elements and overeager to share his troubles. Not coincidentally, “What You Say You Are” lasts over three minutes and feels like a hearty dish instead of the minute-long nibbles that define so much of Burning Desire. The guests include Earl Sweatshirt and Larry June — both of whom deliver solid cameos — as well as British musicians Klein, Venna, and Mark William Lewis; experimental vocalist Liv.e, rappers Niontay and El Cousteau, and others. The evocative album art was illustrated by Ghanaian movie-poster veteran D.A. Jasper. MIKE released Burning Desire on his 10k label. * (Recommended)