Skyzoo - The Mind of a Saint

Skyzoo x The Other Guys, The Mind of a Saint: A Soliloquy

A collaboration between Skyzoo and the Other Guys, The Mind of a Saint explores the TV series Snowfall and the character Franklin Saint.

As a homage inspired by the FX series Snowfall and the character Franklin Saint, The Mind of a Saint kinda works. Skyzoo has a fussy style that leads him to crowd his beats with stanzas. “The revolution wasn’t televised, but it was spoken word/And I heard every part of it,” he raps on “Panthers & Powder,” one of the album’s stronger tracks. He’s a charismatic voice, even if one wishes he found ways to let the music breathe a bit more. The Other Guys, a D.C. production duo best known for their work with Lessondary crew like Von Pea and Rob Cave, pairs Skyzoo with the brightest melancholia this side of Apollo Brown. They set the mood at 3 p.m. on Saturday, but the subject matter seems to require more ominous tones. Lyrically, The Mind of a Saint stays in grind mode, save for the closing tracks, when Skyzoo aka Saint tries to reckon with the damage his drug dealing has caused. It closes with an ill-timed suite of 80s “Just Say No” arcana. One can’t help but compare The Mind of a Saint to American Gangster, a 2007 album where Jay-Z conjured heartlessness with ease. First Generation Rich/HIPNOTT.

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MIKE, Burning Desire

Brooklyn rapper Michael “MIKE” Bonema is a prolific performer — this is his second 2023 project following Faith Is a Rock, a collaboration with Wiki and The Alchemist highlighted by the standout single “Mayors a Cop.” His tics have grown familiar, from his muddy, baritone flow and viscous diction to self-produced lo-fi loops, making it difficult to differentiate between his sundry projects. Burning Desire has a handful of WTF moments that abruptly shift the usual gears, particularly “African Sex Freak Fantasy,” a number produced by North Carolina musician Gawd that’s larded with distorted bass. Mostly, though, MIKE sticks to a well-established formula. Some of his beats are quite nice and buttery, like when he slows-and-chops Mary J. Blige’s “Real Love” on “Real Love,” and ends “They Don’t Stop in the Rain” with the Notorious B.I.G.’s chorus on “Crush on You.” His raps have a punched-in quality, a volley of bars that usually last around a minute or so, followed by a refrain to tie them together. (He compares his style to “a Sistine” on “Sixteens.”) The technique, so common among rappers in the 2020s, yields some standout lines, like when he raps, “I couldn’t cope with my feelings like Romeo” on “Snake Charm,” which is produced by Laron. Near the final third of Burning Desire, MIKE invites Lila Ramani of Brooklyn band Crumb to sing solo on “Should Be!” The haunting number feels like a palate cleanser and leads to one of the album’s strongest cuts, “What You Say You Are.” As MIKE raps, “I’m Michael Myers with the dreads,” he invokes the best aspects of his persona: A hungry striver full of Brooklyn swagger, trembling from the city’s elements and overeager to share his troubles. Not coincidentally, “What You Say You Are” lasts over three minutes and feels like a hearty dish instead of the minute-long nibbles that define so much of Burning Desire. The guests include Earl Sweatshirt and Larry June — both of whom deliver solid cameos — as well as British musicians Klein, Venna, and Mark William Lewis; experimental vocalist Liv.e, rappers Niontay and El Cousteau, and others. The evocative album art was illustrated by Ghanaian movie-poster veteran D.A. Jasper. MIKE released Burning Desire on his 10k label. * (Recommended)

Shabazz Palaces, Robed in Rareness

“All I want to do is see the girls get a chance/All I want to do is see the bros getting bands,” chants Ishmael Butler on the chorus for “Binoculars.” To that end, the Seattle rapper and bandleader stocks the 24-minute Robed in Rareness with younger prospects of varying experience, from relative unknowns like Royce the Choice and O FINESS to his son and melodic rap veteran Lil Tracy. None of them add much. Instead, the project’s success hinges on Butler’s bejeweled production, which weds electronic funk with spooky, spacey tones. Only “Gel Bait,” which sports an appearance from Geechi Suede of Camp Lo, brings much needed vocal aggression as the two complain about sundry opps and haters. This is Butler’s second major project this year, following an enigmatic outing as Lavarr the Starr on Illusions Ago. That excursion turned Butler into a singer, a shift he has toyed with since Shabazz Palaces’ excellent 2017 single “Shine a Light.” By contrast, Robed in Rareness feels a bit slighter although it closes nicely with “Hustle Crossers.” “Take me away from here,” he pleads in a melodic voice. “I’m lost in a dream.” Rapper/singer Porter Ray appears on “P Kicking G.” Robed in Rareness was released on Sub Pop Records.