A common trope of authorized music documentaries such as May the Lord Watch: The Little Brother Story is that the filmmakers tend to deliver lengthy, single-camera interviews instead of a compelling, dynamic story. It opens promisingly enough with photos and camcorder footage of Little Brother’s rise in North Carolina during the turn of the century and the making of their 2003 classic The Listening. Animated clips, courtesy of Creative Junk Food studio, as well as talking heads such as The Roots’ figurehead Questlove and journalist Dart Adams fuel the narrative. But eventually, the doc slows to a crawl as Phonte Coleman and Big Pooh go back and forth, detailing issues with former labels ABB Records and Atlantic Records as well each other, leading to a 2010 breakup, a reconciliation, and an anticipated reunion album, 2019’s May the Lord Watch. Fans who have followed the Little Brother story won’t be surprised by the absence of producer and group co-founder 9th Wonder. More damaging is that the filmmakers fail to show instead of tell us how Little Brother are part of a “bridge” between Native Tongues and current superstars like Kendrick Lamar and Drake. Fewer scenes of the duo sitting in separate rooms, talking into a camera would have helped. And did you know that Big Pooh featured on Lamar’s breakthrough mixtape, Kendrick Lamar EP? Look it up because this film won’t tell you, although it manages to include an unexplained clip featuring Pooh, Lamar, and Ab-Soul. May the Lord Watch is directed by Holland Randolph Gallagher, and was released on YouTube last November. Little Brother and the company Rap Portraits, a collaboration between Gallagher and Yoh Phillips, produced it.