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As rap teetered between pop corporatism, brilliance and malaise, the eccentric MF DOOM as well as exotic Southern sounds offered redemption.

By 1994, hip-hop had clearly evolved into a generational movement. But its innocent sensibility was lost in the process.

Hip-hop in 1984 brought Fresh Fest superstars Run-DMC and Whodini, Melle Mel’s breakout year, and the beginning of the Roxanne wars.

As the industry slowly crumbled, action figures like 50 Cent and Lil Jon rolled off the assembly line with muscular, eardrum-popping sounds.

In a year defined by electro kingdoms and fresh wild styles, Run-D.M.C., Afrika Bambaataa and others sought to explore rap’s future.

Most of the best hip-hop of 1981 didn’t appear on rap records — with Grandmaster Flash’s “Wheels of Steel” a gloriously historic exception.

While Missy Elliott and the Neptunes dominated 2002, the rise of 50 Cent, Dipset, and Southern rap promised to transform the culture.

While 9/11 and Jay-Z vs. Nas defined the year, global forces began disrupting the cloistered rap industry, whether it was ready or not.

In the first year of the 21st century, hip-hop mutated in unusual ways, and a canyon grew between the haves and the have-nots.

In 1979, hip-hop as a regional culture was irrevocably changed when “Rapper’s Delight” introduced it to the outside world.

The year 1993 reflected the music industry’s “see if it sticks” approach to rap, resulting in a boundless variety of peaks and valleys.