P4K’s 250 Best Songs of the 90s

Pitchfork’s latest retrospective list, a ranking of the top 250 best songs of the 1990s, embraces a girlboss theme. The top five slots belong to women.

Pitchfork has posted its latest retrospective list, a ranking of the top 250 best songs of the 1990s. One takeaway is that it embraces a girlboss theme — the top five slots belong to women and the most successful corporate pop act of the decade, Mariah Carey, reigns at number one. Beyond the gender optics, however, crowning a multi-platinum star over an independent artist like, say, Bikini Kill demonstrates how much the site has evolved since its early Aughts indie-centric years. Then there’s the fact that many of the rock selections consist of fan-beloved deep album cuts, while nearly all of the Black music selections are commercially successful singles. Admirably, the list includes some interesting picks: Innerzone Orchestra and DJ Rolando appear, as does Ghostface Killah’s oft-forgotten single “Camay.” Still, its understanding of the nuances of Black music beyond the pop charts feels surface-deep.


Generation “Notti Bop”

In an article on the “Notti Bop” craze inspired by a teen’s murder, New Yorker writer Jody Rosen avoids making aesthetic judgements.

Chicago Rap in 2012

In a brief retrospective, These Days talks to a handful of industry folks involved in the Chicago rap scene’s breakout year of 2012.