ALL: Printed Matter

Rise of a Killah: My Life in the Wu-Tang by Ghostface Killah

Rise of a Killah: My Life in the Wu-Tang is Ghostface Killah’s second book. The first, 2007’s The World According to Pretty Toney, is a collection of “Killah-isms” released through MTV, where he occasionally appeared in quirky bumper ads. Rise of a Killah isn’t quite a full autobiography, either. Much like Eminem’s 2002 book Angry Blonde, it compiles a series of lightly-edited interviews – transcribed by John Helfers of DNES Marketing – in a chronological format. Ghost isn’t big on dates and tends to be impressionistic in details. At two points, he invites longtime friend Grant “Un” Williams and manager Mike Caruso to lend insight. The former relays some wild pre-fame crime stories, while Caruso explains some of the business deals he arranged during Ghost’s busy Def Jam era. Overall, Rise of a Killah leans heavily on Ghostface’s idiosyncratic voice, an amalgam of Staten Island bluster, learned wisdom, and fantastical slang. It’s fascinating but maybe not enough to sustain a 250-page book. Superfans intimately familiar with Ghostface’s unusual career have complained about its dearth of new material. They aren’t wrong. But the main issue with Rise of a Killah is that it feels insufficient in craftsmanship for a hugely talented artist, not because Ghost doesn’t respond to Raekwon’s claim (in his much-better 2021 autobiography From Staircase to Stage) that Ghost slept with Aaliyah. St. Martin’s Press.

Joseph Rathgeber on Caltrops

New Jersey writer Joseph Rathgeber discusses his zine Caltrops, which has become a key document of the underground rap renaissance.

Generation “Notti Bop”

In an article on the “Notti Bop” craze inspired by a teen’s murder, New Yorker writer Jody Rosen avoids making aesthetic judgements.

BLU Magazine

Freedom Archives, an online database focused on progressive and radical historical movements, has documentation on BLU magazine, which was published between 1998 and 2001. While

Rap Slips to 28%

Two recent stories on the decline of rap music’s overall market share have generated some concern in industry circles.

Surviving L.A.

An L.A. Times feature gathers opinions on a bleak trend that has claimed the lives of PnB Rock, Pop Smoke, Nipsey Hussle, and many others.

Fake News on O-Block

In a story jointly published by the Chicago Reader and The Triibe, coverage of developments at Chicago’s O-Block is scrutinized.

Fake Musicians and The Source

ProPublica’s story about internet clout chases contains a detail about The Source magazine, a famed example of golden-era rap journalism.

Hua Hsu on Suspended in Time

Hua Hsu, a staff writer for The New Yorker, discusses his new zine Suspended in Time, which also serves as a preface for his forthcoming book, Stay True.