Chicago Rap in 2012
In a brief retrospective, These Days talks to a handful of industry folks involved in the Chicago rap scene’s breakout year of 2012.
In a brief retrospective, These Days talks to a handful of industry folks involved in the Chicago rap scene’s breakout year of 2012.
Every year brings a fresh crop of album art clearly influenced from various sources. This season brought covers from Metro Boomin, Joey Bada$$, Boldy James and Nicholas Craven, and more.
As a response to 21 Savage’s comments about Nas’ relevance, “One Mic, One Gun” is a pleasant surprise that works best as a statement of unity.
By 1990, hip-hop culture had inspired regional scenes across the United States. A series of maps attempted to mark the changes.
Freedom Archives, an online database focused on progressive and radical historical movements, has documentation on BLU magazine, which was published between 1998 and 2001. While
“Haagen-Dazs,” a track Tame One and El Da Sensei recorded with The Boulevard Connection, captures the essence of an era.
“Milky” is a testament to Hurricane G’s sharp Nuyorican voice, and a flow that swayed on and off beat with rope-a-dope grace.
I recently spoke with The Ringer for a story about the 20th anniversary of Eminem’s “Lose Yourself,” which has become a pop landmark and perennial “jock jam.”
The Charles Burnett film To Sleep with Anger has recently re-emerged this month via prominent samples in two songs.
Memorably deployed by Kendrick Lamar, the phrase “big stepper” usually means what it suggests. But it has also led to some surprising interpretations.
A recent Hits graphic omitted Youngboy Never Broke Again, the second-highest streaming artist of the year.
Two recent stories on the decline of rap music’s overall market share have generated some concern in industry circles.