Ye’s White Lives
Kanye West’s alt-right stunts at Paris Fashion Week have drawn self-righteous condemnation from the fashion world and beyond.
Kanye West’s alt-right stunts at Paris Fashion Week have drawn self-righteous condemnation from the fashion world and beyond.
In a story jointly published by the Chicago Reader and The Triibe, coverage of developments at Chicago’s O-Block is scrutinized.
Contrary to reports, L.A, rapper Coolio’s career began in the mid-80s, when he floated through several short-lived electro-rap ensembles.
Pitchfork’s latest retrospective list, a ranking of the top 250 best songs of the 1990s, embraces a girlboss theme. The top five slots belong to women.
In light of Jean Grae’s identification as nonbinary, Shanté Paradigm Smalls’ Hip-Hop Heresies, a book about queer identity in hip-hop culture, is enlightening.
A recent Futura 2000 interview in Artnet is full of memorable details.
ProPublica’s story about internet clout chases contains a detail about The Source magazine, a famed example of golden-era rap journalism.
With controversy surrounding “augmented reality” act FN Meka, it’s worth reading Enongo Lumumba-Kasongo’s story on AI in the rap industry.
Hua Hsu, a staff writer for The New Yorker, discusses his new zine Suspended in Time, which also serves as a preface for his forthcoming book, Stay True.
In a long-ish essay published in The Walrus, Cadence Weapon recounts his time penning reviews as an enterprising Edmonton teenager.
On July 6, Blockhead launched a fascinating Twitter thread exploring the phenomenon of “drumless rap.”
It remains unclear why disgraced rap mogul Russell Simmons is associated with Universal Hip-Hop Museum, which is scheduled to open in the South Bronx in 2024.