
Fake News on O-Block
In a story jointly published by the Chicago Reader and The Triibe, coverage of developments at Chicago’s O-Block is scrutinized.

In a story jointly published by the Chicago Reader and The Triibe, coverage of developments at Chicago’s O-Block is scrutinized.

Contrary to reports, L.A, rapper Coolio’s career began in the mid-80s, when he floated through several short-lived electro-rap ensembles.

Pitchfork’s latest retrospective list, a ranking of the top 250 best songs of the 1990s, embraces a girlboss theme. The top five slots belong to women.

In light of Jean Grae’s identification as nonbinary, Shanté Paradigm Smalls’ Hip-Hop Heresies, a book about queer identity in hip-hop culture, is enlightening.

A recent Futura 2000 interview in Artnet is full of memorable details.

ProPublica’s story about internet clout chases contains a detail about The Source magazine, a famed example of golden-era rap journalism.

With controversy surrounding “augmented reality” act FN Meka, it’s worth reading Enongo Lumumba-Kasongo’s story on AI in the rap industry.

Hua Hsu, a staff writer for The New Yorker, discusses his new zine Suspended in Time, which also serves as a preface for his forthcoming book, Stay True.

In a long-ish essay published in The Walrus, Cadence Weapon recounts his time penning reviews as an enterprising Edmonton teenager.

On July 6, Blockhead launched a fascinating Twitter thread exploring the phenomenon of “drumless rap.”

It remains unclear why disgraced rap mogul Russell Simmons is associated with Universal Hip-Hop Museum, which is scheduled to open in the South Bronx in 2024.

Inspired by a Wiz Khalifa tirade, Rob Swift has gathered some helpful tips for navigating a rapper’s ego.